What characterizes the painting of Shahla Dadsetan is the concern of the painting as a sensory restitution of the instant of the meeting between all the forces of energies constitutive of the universe that animate us similarly, structuring our relationship to the world and our relationship to others.
This theme at the crossroads of philosophy, since antiquity, and astrophysics, which question the interaction of man and the universe to think the meaning of our "being in the world", nourishes and permeates its activity creative.
Recent paintings are a variation on this theme.
On monochrome black backgrounds are fluid lines whose vibrating undulations breathe movement and vitality into the composition. The momentum of the gesture knots black and white from which emanates a radiant light.
The osmosis between the different pictorial elements - the material, the color, the line, the format - makes the energy and the movement palpable. This search for synergy responds to Shahla Dadsetan's desire to express the sensuality that emerges from this chromatic fusion.
In the same way, it seems that in each painting a kind of cosmic sonority sounds; a pictorial sound produced by the end lines drawn, which, undulating together, make one think of a musical score.
The paintings are thus a journey for the gaze that moves on the surface. For Shahla Dadsetan, each painting is a "galaxy" that the viewer, experiencing immersion in painting, lives for a moment.